SYNOPSIS

‘the colour of winter is in the imagination’

imba (Shona – native Zimbabwean language)

(noun) a home, a place where ones comfort and affections are centred.

Manako Imba delivered couture outfits with strong silhouettes, daring features, unusual fabrics, distinct colours and hand painted prints.

Imba runs with the same thought as Manako Imba but is comfortable, more casual, younger and loves to layer.

Imba knows that winter can be dull, dark and tirelessly miserable, but wants to change this. Imba is the sunny hour in a day of rain.

With striking colours and an array of unusual prints inspired by the colours and patterns of Africa; Imba is all about the wearer making choices. Each piece available in at least one other colour or print, “the colour of winter is in the imagination” – so, as the owner of a variety of pieces, why not mix and match? Layer it up? Make the outfit your own. For the more daring wearer, combining the very different prints offers an unexpected bang of colour, which surprisingly works; for those less audacious, the single colours can help calm things down a little.

The collection is designed to maximise comfort  - being named after the words home and affection, it only makes sense that the garments offer this - and practicality: for the busy-bee customers.  Signature coats and capes to wrap up warm in the outside winter chill are easy to take-off for inside. With loose layering basics in organic cotton and merino, Imba has made sure that being comfortable and looking stylish has never been more effortless. For those with little time to put together an outfit (it is quite likely that the Imba girl is like this!), there is little to worry about as the colours and print do the talking.

Imba’s outerwear is made of 100% New Zealand wool and made onshore, here in New Zealand. The 100% New Zealand merino and organic cotton jersey-knit basics are also made onshore. With onshore prices being higher than offshore, the prices for these pieces are in the higher price range of the mid market. As a result, to keep costs lower across the brand, and as accessible as possible for the Imba market; the construction and printing of the other garments (pants) are taken offshore. Made in viscose, linen and polyester, these pieces are aimed to be easy care and easy wear. The average Imba consumer doesn’t have the time and cannot afford to dry-clean a pant after every wear; therefore no-stress fabrics have been used as opposed to silk etc. Finishing details such as topstitching and interesting panelling are included in the design and construction of garments because the Imba girl is one who knows about detail – she pays attention to it.  

The Imba girl is studying or at the beginning or her career, she is street-wise and enlightened. She is independent and creative. She is happy.

She is happy because she wears Imba.

Final Lineup

Drawings for final lineup

To create my final lineup. I drew my outfit outlines in pen then scanned them in, from there I added colour, print, textures, a head, arms and legs, and shadows all on photoshop. Below are the drawings of what I think the final line-up are going to be... there will obviously be changes to it as I start editing on photoshop and seeing how it all looks...

The pants for this look will be a very soft, drapey fabric, probably a viscose or polyester that drapes well. They will have an elastic band at the waist with drawstrings. The choice of fabric relates to them being easy care and washing etc. AS with all my pants, I think silk woud look beautiful - but they are simply not practical: especially not for my market. The pants will have little elastic just above the ankles to bring the shape of the pants in. The cape is thick NZ wool, has panelling details around the shoulders and a Mao-style collar. The cape will be lined. Underneath is a basic merino layering top. A very comfortable and easy inside-outside outfit.

This outfit is very realxed and comfortable too. The knit is soft nz wool and slightly chunky, the turtle neck is loose fitting - quite like a cowl neck; it adds a bit of interest and colour to the outfit. The pants are a comfortable soft fabric, perhaps a knit or viscose, they are slimmish fitting and become gathered/rouged at the ankle - bringing them in and adding a little shape. The tie around the waist is attatched to the pants waist band and is there is offer a layered up look. Basic layering tees and singlets are worn underneath.

This cape is a really cool design I feel,  it is simple a rectangle and at the shoulders it is folded in totoward the centre and buttoned to create the triangular look. This will be lined too and made in a thick NZ Wool. The cape is free to move in and easy to whip on and off as the wearer goes about her daily activities. Underneath is a simple t-shirt dress, over-size styled it is meant for layering up - will be available in a range of colours and prints. Leggings have interesting panel lines on them with topstitch detail to be a bit different from anything other leggings. These leggins wil be a great staple as the will go the the t-shirt dress and all the capes and knits. So comfy too!

This is one of my favourite looks! I like this because it can be dressed up a little smarter and dressed down a little more casually depeneding on the shoes and accesories etc. I really like pants that are slightly cropped and just graze the anke  as they can be folded up for a more cropped style or left as they are. I also think they are flattering. I like the top-stitched panel down the centre as this draws the eye in making the legs look narrower. The knit is chunky and quite loose fitting. The turtle neck is not tight either. I like the dropped hem of the jersey as this adds another dimension to the layering effect.

These pants ar similar to the ones talked about above however they are slightly more loose fitting and button at the bottom. The top of them is a draw string and elastic waistband - easy easy! These pants can be worn in summer easily too. The cape is a beautiful thick nz wool with a double collar for a bit of interset and layering! The wearers arms can come from the arm holes at the front or can just be worn without the armholes and come out at the bottom. The cape has contrast piping and topstitching as feature finish details.

I love this jersey! Made up of different colour sections of knit they form this shape/pattern. This jersey is fun! It would brighten up any outfit. It is made of nz wool and it quite a fine knit - not too chunky, this makes it drape well. Underneath are layers of singlets and long sleeves basic - all have dropped hems to add to the layering look. The pants are body skiming - being not too tight makes them a comfortable wear. They are availabe in a range of colours - - bright yellow/green to dark grey; depending on how daring/brave the wearer is!!

These pants are a great style! Look fun in a print but also just as interesting in a plain colour. The panels and stitching really add that extra bit of interest to them. These can be worn long or folded up a layer or too for a more cropped look. The coat is quite structured, made of thick nz wool and has lots of top-stitch detail and a sewing lines to create  interesting lines and panels. The shoulders are quite a strong silhoette. I really like the dropped hem at the back - it would be very cool if the lining was a completely contrasting colour or if the li ning was one of the prints!

Cracked Earth & Flame Lily Prints...

After showing Holly and talking to her about my Flame Lily prints and how they really were't working, how they looked like they were missing something, and my unsureness on whether they would fit into my collection or not, she gave me some really great advice.

She talked about putting something else in behind them or enlargening some and changing the transparency of them to give them more depth. DEPTH being the key word! She suggested I look up William Morris to see how he achieves depth through the sizing of parts of his paintings etc...

After thinking about this, I then went onto see what I could do... I came up with the idea of inserting the cracked earth print behind the flamelilys at a different opacity, to see what it looked like...

I really really like how this worked, I think it gives the flame lily print some definite depth. It also healps like the flamelily print into the rest of the collection. The print is different, dynamic and new, I feel that my target market would wearing - its a print that isn't for everyone, but I feel that they would wear it!

This print excites me. I think it would look great on some of the pants I have designed.

Triangle print...

As well as the cracked earth print and flame lily print, I really want to have a print that I very geometrical, and ties in all the colours I use in a very starightforward and uncomplicated way. So because the pattern will tie in all the colours, they will be very bright and colourful, so therefore must not be too complex as they may become a bit oo much... I decided on triangles and these are the prints that I have come up with... I am really happy with them and I think that these would look great on pants, a tee or dress etc... I like the added sketchy black lines separating each triangle as it gives a less formal, more relaxed kind of look/feel.

'Cracked Earth Print' cont...

Here are some developed variations of the 'cracked-earth' print, using the correct colours. I really love how this print has turned out, I think it will look great in the collection, and I feel that my target market might even wear it!! 

'Flame Lily' Print...

The Flame Lily, is the national flower of Zimbabwe. I have decided that I would really like to use the print in my collection fro several reasons.

The flame lily grew wild on our farm at the beginning of the rainy season and as a child Dad and I would go on big motorbike rides around the farm on the hunt for them to bring home. I feel that the plant is really beautiful and I think a really cool print could be created out of it. They have such a cool colour combination with their deep orangey reds, yellow and bright greens. They are like no other flower with their spindly structure and fire like structure.

To start off my print, I began by redrawing two different versions of the flame lily...

I repeated them, enlargended and decreased the size and created shapes and patterns, using the pattern tool on photoshop to help me..

I feel that this is a good start, however it looks like there really is something missing. They just dont quite seem right! And im not sure they weill 'go with' my earth crack pattern which could be an issue... I asked Jen Whitty what she though of them, and the feed back she gave was mostly positive, she liked the blue and white background ones the most.. Lathough, she did say that the blue and brown (darker colour options) looked a little halloweenish, the colours and the sort of fire shape gave off theis kind of feel to her - - - uh oh! Not what I want at all--- there is definitely something missing from the print or something not very right at all if this is what the look she is getting is! I need to woooork on it!